Immortality of Vampire Fiction vs. The Industry

frustratedWARNING: I'm venting a little here today.

The Nelson Literary Agency posted some advice/information in their newsletter about the difference between a “good” manuscript and a “salable” manuscript. You can write a great story, good grammar, character development is tight and storyline is solid. But if the editors don't want it, they won't buy it. I quote the following, but I'm going to put my own adaptation in brackets because I've been told the same thing about my manuscripts (both vampire and steampunk/dystopian):

“For example, dystopian [vampire] stories are hot right now in the young-adult [adult/erotic] genre. As a result, for the past twelve months, editors have been inundated by dystopian [vampire] projects. They are tired of them, even though these titles are still releasing and some are doing quite well. Readers are still enjoying dystopian [vampire] novels, but editors don't want to buy them anymore. So right now, no matter how well written your dystopian YA [vampire novel] might be or how cool the premise, if an agent is taking a look at it, she is probably thinking she can't sell it and will pass on offering representation. That's the bald truth. The timing just plain sucks, and as an agent, selling projects is all about perfect timing: landing the right project, on the right editor's desk, at exactly the right moment.” (my emphasis on the underline)

More than anything else, I think this is a prime example and reason as to why self-publishing is so successful. Yes, you get the crap out there…I totally understand that. But the Big Six (as the big publishers are known as) publish crap, too.

What frustrates me the most is the editors KNOW there is an audience for these books – such as in the aforementioned Dystopian YA and my genre of topic, vampires – and yet because they're tired of reading them, they don't want to see them anymore. This is a business, people! Not your time to have a leisurely read! Print what the readers want!

OMGOne agent told me the reason why editors won't even look at such manuscripts (e.g., vampire, dystopian, steampunk, etc.) is because they're tired of getting a bunch of crap manuscript with the same stories. My response – and I can say this because I'm an editor – OMG get over it! That's your job as an editor. READING MANUSCRIPTS. If you don't like reading crap manuscripts, get another freakin' job. The sad truth is there is a TON of crap out there; it comes with the territory.

I belong to a group called I Love Vampire Novels and they have been my biggest supporters of my self-published novels – my Bonded By Blood Vampire Chronicles. Their FB page boasts over 100,000 LIKES. And I'm sure there are a lot more vampire lovers out there than just 100,000. This group and others like them, J.R. Ward, Charlaine Harris, Laurell K. Hamilton and Sherrilyn Kenyon are all proof people love vampire stories and they sell well.

But the editors are tired of them. :\

No problem! We'll just self-publish and make 70% off our book sales and the Big Six can continue whining about how their industry is failing. Enjoy the trip down!

Thanks for letting me vent! If you made it this far, thanks for putting up with me! Do you feel just as passionate about this topic? Does it really matter to you? Do you have your own experience about the industry you'd like to share? How about from a reader's perspective? Am I completely whacked in my reasoning?

That's my two pence…

Arial 😉